Forms in Exploration originated from my play method: creating, connecting, and stacking shapes. Through a repetitive and intuitive process, a unique formal language developed, and a deep investigation into correctness of form, composition, and balance grew.
By applying this play method, I investigated how forms can emerge without a fixed function or purpose. The interaction between maker, material, and tools is central to this. The work reveals a visual grammar in which the forms relate to each other, variation remains possible, and there is no definitive end point.
The objects convey impressions of vitality and energy. They depict a unique character based on form and composition, creating an abstracted world.